Resources & Papers
Glossary
The Turkish technical words used in calligraphy are the most comprehensive and accessible for both the specialist and the generalist. Although some of these terms are of Arabic or Persian origin, the Turkish form is given here. Note, however, that the Turkish alphabet includes accented letters that are not available on most Western computers—including the ones used to construct this site. Also, certain letters are pronounced differently in Turkish than in English:
c is pronounced j
c with a cedilla accent is pronounced ch, as in cheese
s with a cedilla accent is pronounced sh, as in ship
i with no dot is pronounced oddly, so don’t worry about it if you see it somewhere
| Ahar | sizing applied to paper |
| Aklam-i sitte | the six scripts |
| Besmele | the first sentence in the Koran, “In the name of God, the compassionate, the merciful” |
| Celi (Arabic jeli) | large version of a script, as in celi sulus, celi talik |
| Divani | a script evolved from talik in Turkey, reserved for official documents |
| Divit | portable inkwell and penholder |
| Ebru | Turkish marbled paper |
| Hadis (Arabic Hadith) | Traditions, sayings, and deeds of the Prophet recorded by his companions |
| Halkari | a type of illumination; literally, “work in dissolved gold” |
| Hat (Arabic khatt) | calligraphy |
| Hattat | calligrapher |
| Hilye | a levha composed of a text describing the Prophet Muhammad or other historical personalities |
| Hokka | inkwell |
| Icazet | permission or authorization |
| Icazetname | document certifying the holder to practice as a professional |
| Istif | a composition in which the letters interlace |
| Kalem | pen, reed pen |
| Kalip | stencil made by piercing the contours of a design with tiny holes; the design is reproduced by placing the kalip over a fresh sheet of paper and pouncing it with charcoal dust or chalk powder |
| Kit’a | small calligraphic work, generally horizontal or rectangular, and generally using two scripts, one large and one small |
| Koltuk | “armpit”; rectangular or triangular spaces in kit’as, levhas, and hilyes that allow for the arrangement of longer lines of a larger script with shorter lines of a smaller script |
| Levha | calligraphic panel for large (celi) scripts |
| Lika | wad of raw silk used in an inkwell to absorb and hold ink |
| Makta | pen-cutting slab |
| Mesk (pronounced meshk) | lesson or practice work |
| Mufredat | The beginner’s first group of lessons, consisting of single letters and then letters in pairs. These lessons teach spontaneity, proportion, and shape |
| Murakkaa | a calligraphic album |
| Murekkebat | These lessons follow the completion of the mufredat. They consist of texts, usually poems, calligraphed by an old master such as Sevki Efendi. These lessons are models of how to assemble words and sentences. |
| Mushaf | the Koran in a single volume, or codex |
| Nesih (Arabic naskh) | one of the six scripts, cursive and small style favored by Turkish calligraphers for copying the Koran and endowment deeds, texts, and so on |
| Serlevha | symmetrical double page of illumination opening a Koran |
| Sulus (Arabic thuluth) | one of the six scripts, larger than nesih, favored by Turkish calligraphers |
| Talik (also spelled taliq or called nestalik/nastaliq) | script developed beyond the aklam-i sitte; a style written without vowelling, used mostly in poetry and simple inscriptions |
| Taklid | imitation as a method of education |
| Tezhib | the art of illumination |
| Zer-efsan | gold flecks |
| Zer-endud | painting in gold against a dark background |